Two hundred and fifty years after his birth, Joseph Mallord William Turner remains an “enigma”, said James Jackson in The Times: “a grunting curmudgeon, an establishment outsider, a visitor of prostitutes”, and an artist whose work “touches the sublime”. This new BBC2 documentary seeks to shed light on Turner’s character through close examination of his rarely seen sketchbooks: not just landscape studies and preliminary compositions that he would later turn into paintings, but also reams of “pornographic sketches”. The result is a show that zips “rather fascinatingly … in and out of Turner’s id, ego and superego”.
An eclectic range of contributors offer their interpretations, said Roland White in the Daily Mail. Psychoanalyst Orna Guralnik, for instance, suggests that Turner’s detailed early depictions of buildings represented “a search for stability after a difficult childhood”. His background was indeed troubled: his mother suffered psychotic episodes at a time when madness was believed to run in families. Fearing it would hinder his career, he committed her to a hospital and never saw her again.
Not all the observations are worthwhile, said Jack Seale in The Guardian. Ronnie Wood, for instance, says of “Fall of the Rhine at Schaffhausen”: “It’s very dramatic.” But Tracey Emin convincingly discusses Turner’s working-class origins, while Chris Packham is highly insightful about Turner’s view of nature, and the effect of industry on it. This programme “balances accessibility with analytical muscle”, allowing us to see the artist “afresh”.
BBC2 documentary examines the rarely seen sketchbooks of the enigmatic artist