‘The agricultural damage clock runs in weeks’

‘Hormuz fertilizer block will upend world’s food production’

Chris Krebs at the Financial Times

Before the “first strike on Iran, the global food system was already running on reduced redundancy,” says Chris Krebs, and the Strait of Hormuz closure “isn’t breaking a healthy system. It is breaking one that was already compromised.” The “food security clock runs in months,” but the “geopolitical clock runs in years.” If “fertilizer isn’t moving through the Strait of Hormuz in two weeks’ time, we won’t be debating any more, we’ll be sending in aid.”

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‘Education decisions aren’t inevitable. They are rooted in history.’

Erika M. Kitzmiller at The Philadelphia Inquirer

Cities like Philadelphia have “always had choices — choices to enact educational policies and practices that replicate inequality or to pursue alternatives that disrupt it,” says Erika M. Kitzmiller. Too “many times in our city’s history, those with power have chosen the former.” The city’s “current challenges — shrinking school enrollments, outdated school facilities and persistent resource disparities — did not suddenly appear in the 21st century.” They “have a long history marked by injustice and disinvestment.”

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‘Why corporate America is coming home to the heartland’

Derek Kreifels at the National Review

For “decades, a handful of states such as Delaware, with its hospitable corporate law, and California, Illinois and New York, with their capital resources, held too strong a grip on the American corporate engine,” says Derek Kreifels. But taxes are “harming innovation, growth and the economic prospects of the people who live there.” As a “result, we are now witnessing a historic migration, as some of America’s most iconic companies pack their bags and head for the heartland.”

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‘Congress can’t protect radio without protecting artists’

Michael Huppe at The Hill

There is a “question for Congress: What good is radio without music?” says Michael Huppe. There are “thousands of artists across America” whose “performances are the product that AM and FM radio use to earn nearly $14 billion in advertising revenue each year.” But “unlike every other democracy, the U.S. still does not require radio corporations to pay the artists for that privilege.” Congress can pass “bills protecting AM radio in every vehicle and protecting the artists who make every recording.”

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