The 8 best fantasy movies of all time

Fantasy is a genre that’s hard to define. But to paraphrase Justice Potter Stewart, you know it when you see it — magical realms with vaguely or unmistakably medieval trappings, princes, princesses, villains to best and, inevitably, a quest for our heroes to complete. For our list we have excluded animated films like “Spirited Away,” as well as those that feel more comfortably placed in the science fiction or superhero genres.

‘The Wizard of Oz’ (1939)

In MGM’s cultural juggernaut, young Dorothy (Judy Garland) is knocked unconscious during a tornado that rips through her Kansas town. She awakens to find her house moving through the air and into the magical Land of Oz, having landed on and killed the Wicked Witch of the East. Dorothy is then pursued by the Wicked Witch of the West (Margaret Hamilton) as she and her companions, including the Tin Man (Jack Haley), the Cowardly Lion (Bert Lahr) and Scarecrow (Ray Bolger) follow the Yellow Brick Road to the Emerald City, where the titular wizard (Frank Morgan) can — purportedly — send her home. This seemingly ageless classic “genuinely hits on childish delights” and fears with “effortless grace, warmth and imagination,” said Alan Morrison at Empire. (HBO Max)

‘The Dark Crystal’ (1982)

A movie that has to be in the same “haunted the childhood of all Gen Xers” conversation as “The NeverEnding Story,” the extraordinary film, directed by Jim Henson and Frank Oz, uses live-action puppetry to tell its story. Set on a planet called Thra, two new races emerged eons ago from a shattered crystal: the homicidal, vulture-like Skeksis and the gentle, inquisitive Mystics.

Jen (voiced by Stephen Garlick), who is a member of another, near-extinct race called Gelflings, was raised by Mystics after Skeksis wiped out his extended family. Along with another Gelfling, Kira (voiced by Lisa Maxwell), Jen is tasked with retrieving a shard of the crystal within three days to prevent the Skeksis from ruling Thra forever. Featuring a “luxuriantly original fantasy world as dark as the magic crystal totem at its center,” Henson and Oz’s film features stunning “set pieces that justify the expense and the viewer’s attention,” said Richard Corliss at Time. (Peacock)

‘The NeverEnding Story’ (1984)

Director Wolfgang Petersen’s film, adapted from the first half of Michael Ende’s 1979 novel, follows Bastian Balthazar Bux (Barret Oliver), a bookish boy grieving the loss of his mother. When Bastian ducks into a bookstore and starts reading a book about a malevolent force (the Nothing) devouring the realm of Fantasia, the narrative comes to life.

As Bastian reads, a boy named Atreyu (Noah Hathaway), while pursued by a green-eyed creature called G’mork (Alan Oppenheimer), is dispatched by the Childlike Empress (Tami Stronach) to find the cure for the mysterious nothingness enveloping the kingdom. An “extravaganza of wondrous beasts and princesses,” the film also contains an important lesson: “Keep going, keep forging onwards, don’t stop to mope or you will sink into the slough of despondance,” said Peter Bradshaw at The Guardian. (Tubi)

‘Labyrinth’ (1986)

Muppets mastermind Jim Henson helmed this story about a tween named Sarah (Jennifer Connelly), who inadvertently summons The Goblin King, Jareth (David Bowie), to kidnap her baby half-brother. The move forces her to plunge herself into his fantastical maze-realm to retrieve him in 13 hours, lest he be turned into a goblin.

While navigating the labyrinth with the help of Hoggle (Shari Weiser, voiced by Brian Henson), Sarah encounters one fantastical character after another, including The Worm (voiced by Timothy Bateson) and The Junk Lady (voiced by Denise Bryer). Henson’s’ “complex and confusing” film is “now a mainstream cult favorite” and reminds us that childhood “has been this way forever: wonderful and hard and full of horror,” said Alison Stine at The Atlantic. (Disney+)

‘The Princess Bride’ (1987)

Director Rob Reiner’s often-hilarious adventure uses a familiar story-within-a-story structure. Peter Falk plays a man reading a story to his grandson, about a Princess Buttercup (Robin Wright), who falls in love with her farmhand, Westley (Cary Elwes).

When Westley is presumed dead at the hands of pirates, she is betrothed to the evil Prince Humperdinck (Chris Sarandon), before being kidnapped by the trio of Vizzini (Wallace Shawn), Fezzik (André the Giant) and Inigo Montoya (Mandy Patinkin). Patinkin’s repetitive delivery of the line “My name is Inigo Montoya. You killed my father. Prepare to die,” is a highlight. “The Princess Bride” is a “movie generally well-received by everybody who’s ever seen it but given the august profile of a universal cultural touchstone by those of a certain age,” said Tim Brayton at Alternate Ending. (Disney+)

‘The Lord of the Rings: Fellowship of the Ring’ (2001)

With “The Fellowship of the Ring,” the first in the original trilogy, director Peter Jackson brings the world of J.R.R. Tolkien’s beloved novels thrillingly to life, seamlessly integrating live action and CGI. The protagonist is Frodo Baggins (Elijah Wood), who hails from a village of whimsical creatures called Hobbits in the realm of Middle Earth.

He is tasked with destroying a powerful ring he inherits from his uncle Bilbo (Ian Holm) by delivering it to Mount Doom before it can fall into the hands of the evil Sauron (Sala Baker, voiced by Alan Howard), granting him dominion over the realm. A film that is “soaked around the edges with a melancholy darkness,” it is a “big movie in its scope and vision” that nevertheless works on a “much more intimate level as well,” said Stephanie Zacharek at Salon. (HBO Max)

‘Harry Potter and the Prisoner of Azkaban’ (2004)

The first two Harry Potter films, based on the JK Rowling novels that became a global sensation, were massive events and box office successes but earned middling reviews from critics. Then the franchise was handed, briefly and mercifully, to the talented director Alfonso Cuarón.

In this entry, the third of the series, Harry Potter (Daniel Radcliffe) and his chums at a children’s finishing school for magicians called Hogwarts must work together to protect Harry from a killer named Sirius Black (Gary Oldman), who intends to kill the young wizard. With “monstrous special effects” that are “seamlessly inserted into the musty halls and twilight fields” and backstopped by “top-of-the-line flesh-and-blood British acting,” the film is a triumph by virtue of its “emotional force and visual panache,” said A.O. Scott at The New York Times. (HBO Max)

‘Pan’s Labyrinth’ (2006)

From Mexican director Guillermo del Toro, “Pan’s Labyrinth” is set in 1944, when a group of Spanish holdouts from the Franco dictatorship are holed up waiting for deliverance from the Allies. 11-year-old Ofelia (Ivana Baquero), whose cruel stepfather, Captain Vidal (Sergi Lopez), is hunting the rebels, discovers a creature called The Faun (Doug Jones) in the nearby forest, who tells her she is actually Princess Moanna of the Underground Realm and that she must complete three tasks to take her throne. They include entering the foreboding lair of the terrifying Pale Man (also Doug Jones) to retrieve a dagger. Del Toro’s “richly conceived fantasy creates a new postmodern mythology and establishes the picture as a landmark of the genre,” said Brian Eggert at Deep Focus Review. (not currently available to stream).