It clearly tickled Donald Trump’s fancy. The debut episode of live sketch comedy “Saturday Night Live UK” went down so well with the US president, he treated his Truth Social followers to a clip mocking Keir Starmer for being scared to talk to him about the war in Iran.
But British reviewers were not so amused – and several were not afraid to find fault with the UK version of the long-running US show.
‘Tepid cosplay’
That “laughter-free yawn” was “not a patch” on the US original, said Deadline’s Baz Bamigboye. “What is it?! Painful, that’s what.”
“I do not want to condemn this whole endeavour outright,” said Charlotte Ivers in The Times. “But the spark is not there yet.” We and “our US cousins” have “wildly differing senses of humour”, and, watching this, you feel it “like a physical ache”.
No one “cried” or “fluffed their lines”, said Alison Rowat in The Herald, but “you could almost smell the tension in the studio”. There was “good” but also “bad” and “so-so”. Nothing was “hilarious”, but “some sketches raised a smile”, like the “movie junket interviewer who dares to tell stars their movie sucks”.
Saturday Night Live “represents the quintessence of the American comedic establishment” but its name doesn’t have “much Clapham omnibus cut-through here in Britain”, said Nick Hilton in The Independent. So “it’s a bit of a shame” that the team “plays it so safe” with the imported formula. It seemed like “tepid cosplay”.
British comedy shows used to be hammy and contrived like this, said Nicholas Harris in The New Statesman but they’ve become “more stylised, ironic”. I suspect the “failure” of “Saturday Night Live UK” has “more to do with the UK than ‘Saturday Night Live’”.
‘Stinging gags’
“It could have been a lot, lot worse”, said Lucy Mangan in The Guardian. And it’s likely to become “a lot, lot better” as it settles in over the coming weeks. It was “refreshing” that “an ambition/piece of madness like retooling a legacy US brand for this septic isle” was “even being attempted”, so “let’s hope it can build towards real success”.
The first episode was “competent, untroubled by either annoying American-isms or annoying Americans – and occasionally hilarious”, said Ed Power in The Telegraph. Guest host Tina Fey was “effortlessly commanding”, thanks to her “visible ease with the format” but the “real highlight was the Weekend Update section”, with its “stinging and completely non-woke gags” about Andrew Mountbatten-Windsor, Trump and the Strait of Hormuz.
The schadenfreude with which social-media users were predicting it would “crash and burn” was “wide of the mark”. I’d say it “was off to a flying start”.
Does the British version of the US comedy raise a smile?