ITV has been accused of “unwitting sexism” after placing expert pundit Emma Hayes in a “bureau-meets-countryside-kitchen” set for its World Cup coverage, said The Times.
Hayes, the Londoner who is head coach of USA women and who won seven league titles with Chelsea, has been given an analysis slot during the new hydration breaks in World Cup matches and was in ITV’s Brooklyn studio for England’s victory over Croatia.
In “relegating” Hayes to using chalk and a blackboard, rather than the more customary interactive digital tools, on a set resembling a kitchen, ITV bosses have risked “reinforcing sexist stereotypes”.
Katie Bailiff, chief executive of charity Women in Film & TV, called it an “ill-conceived, damaging creative decision”, which has led to significant online criticism.
‘Intellect shone’
Hayes’ analysis has been “one of the triumphs of the tournament so far”, said Football365. ITV has “adroitly” leaned into her strengths by making the segment “as lo-fi as humanly possible”. Her blackboard insights gave “infinitely more value” than the “empty, lazy” cliches we are used to from the channel’s “tacticos”.
Her greatest asset is how “lightly she wears her vast and extensive knowledge”, digesting the game “without waffle or potential for bafflement” under intense time pressure.
The chalkboard set-up makes sense, said Molly Hudson in The Times. Hayes’ communication skills have helped her to the “pinnacle of the women’s game”. TV coverage is now “dominated by high-tech screens for analysis” by former players, so using the “classic prop for football managers” – especially one at the heart of the evolving game – is understandable. And she can add one more line to her “lengthy list of achievements”: she is the “woman who made hydration breaks fun”.
ITV has “bravely tried to innovate”, said Felix Keith in The Mirror. The BBC, who made the decision to broadcast from Salford, have “chosen to stick with what they know”, filling the time with back-and-forth between the commentator and co-commentator. But rather than copying their competitor, or using the breaks to “pump in another few minutes of adverts” like their American counterparts, ITV has given the stage to one of the world’s best managers to “educate us”.
Despite looking “a bit cheap”, the set had a “retro” feel and was “a bit of a throwback”, said Kathryn Batte in The Telegraph. It has been “genuinely refreshing” to see Hayes’ return after her absence from the 2022 men’s World Cup. ITV’s only failing is giving Hayes such a “short window” and not “maximising the air time of one of the best pundits at the tournament”.
‘Hung Hayes out to dry’
“Hayes’ intellect shone,” said The Times. But she was hampered by the ITV’s vision of an “old-school, retro, jumpers-for-goalposts vibe”. Without the “gizmos and graphics” afforded to her male colleagues, her “acute and informative” analysis was reduced to resemblances of “noughts and crosses”. “Lose the blackboard. She deserves better.”
Hayes is one of the “most decorated tacticians in world football”, said Louis Chilton in The Independent. But ITV’s decision to give her a “kitchen-esque backdrop” turned her insightful segments into “pure, uncut meme fodder”. The “inherently sexist optics” of positioning a female pundit in an “almost-kitchen” has “played into the hands of misogynist trolls”.
Hayes offers a “class of punditry that football sorely needs”. She stands alongside other established female commentators such as Karen Carney, Ellen White and Alex Scott who have bright careers in the field – “as long as ITV doesn’t put them in a kitchen, that is”.
“If you drew a Venn diagram of Emma Hayes’ critics and the fragile folk who cry ‘snowflake’ about others”, you would have drawn a circle, said Michael Hincks in The i Paper.
“The optics are awful from the World Cup broadcaster.” The lack of foresight to see that a “tinpot” chalkboard and kitchen setting would cause this much online furore is “naive”. It’s as if “someone ran to the nearest shop when realising drinks breaks equals more studio time”. The result is that ITV has “hung Hayes out to dry”.
Broadcaster’s ‘relegation’ of expert tactician to ‘kitchen-esque’ set has been branded ‘unwitting sexism’
