Home UK News Geisha paparazzi: Kyoto’s biggest headache

Geisha paparazzi: Kyoto’s biggest headache

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With a history dating back to the 1700s, geishas are one of Japan’s most enduring cultural images.

But this has increasingly made them a tourist attraction, and the “throngs” of visitors who are try to snap photos of them in “picturesque streets” have been compared to the paparazzi for their aggressive tactics, said CNN.

‘The pretty painted face of Japanese patriarchy’

The Japanese word “geisha” literally means “art person”. They are traditional Japanese female entertainers who are skilled in arts such as classical music and dance, and playing the samisen (an instrument like a lute). They entertain customers while they dine and drink.

Geishas wear a kimono and the way their obi (sash) is tied signals their status. With their distinctive white face, red lips and elaborately decorated hairstyle, the geisha has become a recognisable image around the world. Apprentice geishas are known as maikos.

Geishas are not immune from controversy. Writing in The Observer in 2001, Barbara Ellen argued that the geisha “is, and has always been, the pretty painted face of Japanese patriarchy”. And “no amount of waffle” about “things that make ignorant, sensation-greedy Westerners go weak at the knees” has been able to disguise the “ethical fungus at the heart of geisha culture”.

There was controversy in 2015 when Katy Perry dressed up as a geisha for her performance at the American Music Awards. It was dismissed as a “yellowface” performance, said The Guardian.

There has also been controversy over a growing trend of tourists following them around to take photographs. In 2015, Kyoto published pamphlets and other handouts that used pictograms to illustrate travel “nuisance activities”, including taking photos of geishas and maikos.

But four years later, said CNN, tensions had reached “boiling point” amid reports of tourists tugging at women’s kimonos, chasing them around with cameras and smartphones, pulling out their hair ornaments and even hitting them with cigarette butts.

Although Gion, the area of Kyoto where most geishas live and work, has begun posting signs and notices prohibiting photography, and warning that violators would face a fine, Isokazu Ota, from the Gion’s South Side District Council, said the tourism “paparazzi” have “gotten more brazen” since the return of mass tourism to Japan after the pandemic.

‘People know the rules but are ignoring them’

The problem of tourists surrounding geishas and their maiko apprentices “arose before the pandemic” and will be “trickier to solve”, said The Times. Amid growing concern, the local council in Gion hopes to make narrow alleys completely closed off to tourists by April 2024. But photography on the main thoroughfare of Gion, Hanamikoji, cannot be banned since it is a public street.

It’s hoped that visitors can still meet and interact with maikos and geishas. The Gion Theatre, which is located off Hanamikoji, hosts performances by maikos, after which audience members can have their pictures taken with the women in an organised and respectful context.

“The people taking pictures of the streets of Gion on the main street and the tourists taking pictures of maiko from afar are probably unaware of the rule against photography,” said Ota.

However, he added, “the foreign tourists waiting for maiko to come out in the alleys of Gion’s photography-prohibited areas know the rules but are ignoring them”, so “even if we warn tourists, it is difficult to get through to them at this point”.

Tensions over tourists taking photographs of iconic Japanese women have reached ‘boiling point’