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Donna Hemans: On giving characters control over their own stories

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Robert Lee Brewer interviews Donna Hemans for Writer’s Digest. He writes, “Author Donna Hemans discusses how she hoped to create a history for her family in her new literary fiction novel, The House of Plain Truth.” Here are excerpts:

Donna Hemans is the author of three novels, River WomanTea by the Sea, and The House of Plain Truth. Her short fiction and essays have appeared in SliceElectric LiteratureMs. MagazineThe Rumpus, and Crab Orchard Review, among others. She received her undergraduate degree in English and Media Studies from Fordham University and an MFA from American University. She lives in Maryland, and is also the owner of DC Writers Room, a co-working studio for writers based in Washington, D.C. Follow her on X (Twitter)Facebook, and Instagram. [. . .]

Name: Donna Hemans
Literary agent: Sha-Shana Crichton
Book title: The House of Plain Truth
Publisher: Zibby Books
Genre/category: Literary Fiction
Previous titlesRiver WomanTea By the Sea
Elevator pitchThe House of Plain Truth is about family secrets, triggered when Pearline returns to Jamaica to help take care of her ailing father. On his deathbed, he asks Pearline to be his memory and to find her estranged siblings, leading her to search for answers about her family’s time in Cuba and why her parents hadn’t reconnected with these estranged children in 60 years.

What prompted you to write this book?

In 1931, my paternal grandparents returned to Jamaica from Cuba, where they had been living for about 11 years. While I knew the basic fact that my grandparents and some aunts and uncles had lived in Cuba, my grandparents died long before I knew to ask—with a writer’s mindset—about the specific reasons they went to Cuba, their experiences and why they returned to Jamaica. When I set out to write the book, my goal was to understand my family’s experience in Cuba and to invent a sort of history for them. While The House of Plain Truth is not my grandparents’ story, writing and researching it helped me to understand their experiences a little bit better.

How long did it take to go from idea to publication? And did the idea change during the process?

I recently found the notebook in which I first jotted down the idea, and that entry was dated August 14, 2006. I worked on the manuscript on and off over the years, finally picking it back up again around 2017. While the core idea remained the same throughout—searching for estranged siblings—the structure and the point of view changed.

Were there any surprises or learning moments in the publishing process for this title?

Many. My first novel was published in 2002 and so much has changed since then. But the biggest surprise or learning moment is that no matter how many books you publish, each book feels like the first. Knowing a book is making its way in the world to reviewers, bookstagrammers, influencers, is still nerve wracking. [. . .]

For full article, see https://www.writersdigest.com/write-better-fiction/donna-hemans-on-giving-characters-control-over-their-own-stories

Robert Lee Brewer interviews Donna Hemans for Writer’s Digest. He writes, “Author Donna Hemans discusses how she hoped to create a history for her family in her new literary fiction novel, The House of Plain Truth.” Here are excerpts: Donna Hemans is the author of three novels, River Woman, Tea by the Sea, and The House of Plain