“Women are angry. Vexed. Livid. FUMING,” said Helen Coffey in The Independent. And women in Britain are “apparently the angriest in Europe”.
According to the latest Hologic Global Women’s Health Index, nearly one in four of us feel rage, compared with one in seven on the continent. The annual league table (based on polls of more than 76,000 women) revealed a “remarkable upsurge in fury”; rates of anger were 47% higher than the previous year, while levels in other European countries “remained fairly stable”. The UK dropped to its lowest-ever position, from 41st to 48th out of 142 countries in just a year.
This “fall from grace” of the world’s fifth-largest economy by GDP is “little short of a disgrace”. But given the medical misogyny, the crisis in women’s health and gynaecological care, significant gender pay gap, and relatively high rates of femicide, it’s “depressingly unsurprising”.
‘Lack of hope’ and profound pessimism
I might account for all that rage “all on my own”, said Deborah Ross in The Times. Only 27 of the 2,300 paintings owned by the National Gallery are by women – “you’ll be in and out in a flash”. Less than 3% of reported rapes result in charges. About a third of women have experienced sexual harassment or assault on public transport. Only 3% of venture capital goes to female founders. Male screenwriters have “sewn up all the television factual dramas”, so we are “spared a woman’s take on real events”. Care and domestic labour “still fall disproportionally on women”. Women are more likely to have their pain “dismissed by doctors”. Three women are still killed by men every week.
One in four women in England and Wales has also been raped or assaulted, said Emily Lawford in The New Statesman. Many have also been radicalised by Israel’s war in Gaza (and the government’s “apathy”), or the Jeffrey Epstein revelations.
Polling by Merlin Strategy for The New Statesman found that women aged 18 to 30 are 26 percentage points “less likely to feel positively about capitalism than young men”. They are also “much more pessimistic about the future”.
A “significant majority” feel isolated, ignored by the two main political parties, and fearful of Reform, but few seem to believe that voting Green will make a difference. And people they interact with online “reinforce their beliefs”; the femosphere both “reflects young women’s disaffection and perpetuates it, radicalising them further”. A profound “lack of hope” and pessimism has emerged over the past decade. “How could they not be angry?”
Lack of perspective on ‘how far their sex has come’
Actually, women in the West have never had it so good, wrote gender historian Zoe Strimpel in The Telegraph. They have an “overflowing cup”: the right to education, to choose whether to have children, to work, to keep our salary, and to “demand freedom from male coercion and violence”. A woman just flew past the moon, and “nobody even batted an eyelid”. Of course there are problems, and (sometimes violent) misogyny persists, but if Western women “want to make their mark”, there is very little stopping them.
These “furious young women”, with rights that women of the past “could only have dreamed of”, are channelling their anger into “false, often malign causes”, squandering their power. They seem to “lack any perspective on where they are now, and how far their sex has come”.
But “even those who are winning the game want to overthrow it”, said Jack Davey in The Critic magazine. The internet is “abuzz with the topic of ‘angry young women’”, but the ones I’ve met aren’t angry – they’re politicised. Gen Z women are “by far the most left-wing demographic in the country”; even the most privileged “want radical change”. That’s because, unlike young men’s problems, young women’s are “far less tangible”.
Most of these so-called “angry young women” are far more reasonable than the online caricatures, and “far more willing to compromise than polling would suggest”. But get used to them: angry young women are “here to stay”.
Polling suggests UK women are raging far more than their European counterparts, while young women grow increasingly pessimistic, and radicalised





