“Mavis Pusey: Mobile Images,” a survey of artwork by the Jamaican-born artist, is now on view at the Institute of Contemporary Art in Philadelphia through December 7, 2025. As Siddhartha Mitter writes in his NYT review, the show “caps a decade of sleuth work by curators who, starting with few leads, succeeded in locating her artworks, her papers and indeed, before it was too late, the artist herself.” The exhibition has been organized with the Studio Museum in Harlem, which will present it in 2027; in fall 2026, it will be on view at the Hammer Museum at UCLA.
Description: This exhibition marks the first major museum survey dedicated to the work and life of Jamaican-born artist Mavis Pusey (1928-2019), featuring over 60 artworks from her prolific 50-year career. An important figure in geometric abstraction, Pusey created rich abstract paintings and works on paper that reflect her wide-ranging engagement with fashion, printmaking, and the urban environment of cities in which she lived. Despite her international presence in the art world, Pusey’s work has largely remained overlooked. This comprehensive retrospective is the culmination of over a decade of research and collaboration and offers an expansive reexamination of Pusey’s impact on abstraction and beyond.
Much of her work addresses themes deeply connected to contemporary life, including her “Broken Construction” series (1960s-1990s), which explores the artist’s powerful use of destruction and renewal as metaphors for societal change. These works, along with others, are further contextualized through the inclusion of photographs, personal notes, and archival materials, offering invaluable insights into Pusey’s practice and the historical context surrounding her boundary-pushing work. Through this exhibition Mavis Pusey’s significant contributions to abstract art are explored, deepening our understanding of her lasting impact on contemporary artistic discourse.
Mavis Pusey: Mobile Images is curated by Hallie Ringle, Interim Director and Daniel and Brett Sundheim Chief Curator of the ICA Philadelphia, with Kiki Teshome, Curatorial Assistant, Studio Museum in Harlem. The exhibition is co-organized by the Institute of Contemporary Art at the University of Pennsylvania and the Studio Museum in Harlem. The presentation of the artist’s archival materials is curated by Teshome. [. . .]
For more information, see ehttps://icaphila.org/exhibitions/mavis-pusey-mobile-images/
Also see our previous post, https://repeatingislands.com/2025/07/22/this-groundbreaking-artist-vanished-a-decade-of-sleuthing-reveals-her-greatness/, and the complete review at https://www.nytimes.com/2025/07/19/arts/design/mavis-pusey-pioneer-black-abstraction.html1
“Mavis Pusey: Mobile Images,” a survey of artwork by the Jamaican-born artist, is now on view at the Institute of Contemporary Art in Philadelphia through December 7, 2025. As Siddhartha Mitter writes in his NYT review, the show “caps a decade of sleuth work by curators who, starting with few leads, succeeded in locating her
